Wednesday, 22 September 2021

Travelogue: Among the Pyramids and Pharaohs of Egypt by Wale Okediran

 

TRAVELOGUE: AMONG THE PYRAMIDS AND PHARAOHS OF EGYPT BY WALE OKEDIRAN

 

 



                                                                                                                    

Within 24 hours of arriving in Egypt on holidays, my wife and I were already at the Giza Plateau area of Cairo admiring the awe –inspiring relics of what is considered, the world’s mightiest ancient civilization.

 

These are the breathtaking works of the Pharaohs such as the massive stone hulks of the Pyramids and Sphinx as well as the giant columns and statues at the Temple of Karnack.

 

 So impressive were the magnificent buildings that you will wonder whether such great works of art could really be the work of mere mortals or whether they were in fact inspired by supernatural or superhuman beings.

 

Despite the midday heat, more tourists, largely from Europe, China and the US continued to pour into Giza.

 

 Although Memphis was the first capital of Ancient Egypt, Giza was five thousand years ago, the royal necropolis, or burial place for the capital city. Giza's three pyramids and the Sphinx were constructed in the fourth dynasty of Egypt's Old Kingdom, arguably the first great civilization on earth.

 

 Most of the pyramids found near Cairo, numbering well over 100 in total, were built during this period when Memphis was the most important city in Egypt and most probably the world.

 

 Egypt has one of the longest histories of any country, tracing its heritage along the Nile Delta back to the 6th–4th millennia BCE.

 

 Considered a cradle of civilization, Egypt saw some of the earliest developments of writing, agriculture, urbanization, organized religion and central government.  Iconic monuments such as the Giza Necropolis and its Great Sphinx, as well the ruins of Memphis, Thebes, Karnak, and the Valley of the Kings, reflect this legacy and remain a significant focus of scientific and popular interest.

 

The Great Pyramids remain a challenge to Egyptologists and the inspiration of a hundred theories.

 

There are three main pyramids at Giza, each with its outcrop of satellite pyramids where the queens of the Pharaohs were interred. Pyramid building began with the 3rd dynasty when the Paraoh Zoser commissioned the architect Imhotep to build him a lasting monument of stone at Saqqara, south of Giza.

 

 More than 80 pyramids were built at Saqqara and other sites along the Nile, but it is the larger and better preserved Pyramids of Giza that have caught and kept public attention.

 

Another colossal figure is The Sphinx. The monument is thought to have been commissioned by Chephren, son of Cheops.

 

 Sculptured from a solid block of stone, it has the body of a lion and the head of a godlike man (possibly, Chepren).

It stands an awesome 20m (66ft) high. Even though the limestone rock is heavily eroded and battered over the years, it still remains a striking figure. Facing the great statue is the Valley Temple, another ageing architectural masterpiece.

 

The second day of our visit was devoted to the Cairo Museum where a lot of artefacts ranging from Statues of Pharaohs and their Queens as well as mummified bodies were kept.

 

The Egyptians believed in an eternal life after death. They also believed that the endurance of the ‘ka’ or spirit was linked to the preservation of the body, hence, their obsession with mummification.

 

The process which usually took about two months began by removing the brain (through the nose) and the intestines, lungs, liver and stomach which were treated and kept in separate containers called Canopic jars.

 

 The heart believed to the seat of the mind and soul were left in place. The body was filled and covered with natron, a dehydrating agent for five weeks before removing the packing and stuffing it with clay, resin, sawdust and perfumes. The final stage was to coat it with resin and fragrant unguents, wrap it in bandages and keep it in its decorated sarcophagus.

 

Ancient Egyptian sculptors worked in materials including marble, limestone, pink and black granite, soapstone and alabaster as well as wood and precious metals.

 

 Their colors came from chalk, red camelian, turquoise, yellow jasper and black diorite and have proved amazingly durable.

 

 Paintings on walls of tombs are highly stylized with the heads of figures but not their eyes or shoulders shown in profile.

 

After Cairo, we flew to Aswan, which is about one hour’s trip from Cairo where we visited the High Dam, an enduring monument to strongman Gama Abdel Nasser and the awesome Philae Temple with its Obelisk which is the largest Obelisk in northern Egypt.

 

It was in Aswan that we commenced the 5 day Nile Cruise on the Ship; The Radamis 2 which sailed to Kom Ombo, Edfu, Esna and finally Luxor.

 

 We disembarked at Luxor to visit the West Bank, the Valley of the Kings, and the Temple of Queen Hatshepsut which was built by the New Kingdom in the 15th century BC.

 

Temple of Luxor, Luxor’s most obvious landmark is the magnificent complex of columns, statues and shinxes.

 

 Many of these structures have Hieroglyphic writings inscribed on them. Hieroglyphic writings with its complex set of symbols in the shape of animals, birds, people and geometric shapes baffled Europeans until 1823 when a Frenchman. Jean Francois Champollion finally cracked the code.

The huge number of inscriptions on temples and tombs gives archaeologists a vast body of material to work with and translation continues to this day.

 

Another flight from Luxor brought us back to Cairo from where we travelled by road to the beautiful sea port of Alexandria.

 

 Our first visit in Alexandria was to the Pompey’s Pillar which was constructed in honour of Emperor Diocletian at the end of the 4th century.

 

From here, we visited the Qaitbay Citadel which was built on the site of the ancient Lighthouse of Alexandria (another one of the seven wonders of the world).

 

 The Lighthouse was said to have been destroyed by earthquake in 1323.  The fortress which is now a Naval Museum was built in the 15th century by Sultan Qaitbay.

 

Also in Alexandria was the Roman Amphitheatre with its tiers of seats and a stage with a mosaic floor.

 

Although discovered in 1960, the place was only opened in 2005 because of the large amount of excavation that needed to be done.

Stalwarts win Wale Okediran football tourney

 

Stalwarts win Wale Okediran football tourney

June 5, 2021- Bioluwatife Akinyemi Football

Stalwarts (New part 4 class) team of the Obafemi Awolowo University (OAU) medical students’ association defeated Excelsiors (Old part 4 class) to win the 35th annual Wale Okediran football competition decided at the Obafemi Awolowo University sports complex.

It was an atmosphere filled with joy as students and top members of the university community trooped out en masse to watch the match.

In his remarks, sponsor of the tournament, Dr Wale Okediran, expressed joy at the turnout of students at the event, as he traced the genesis of the competition.

“In 1977, just three years to the end of my medical training, I was among the six University sportsmen who were awarded the first ever University scholarship for sports. This spectacular development made me realise that there could be many medical students who could also excel in sports if given the right incentive.

“Hitherto, it was obvious that medical students were too confined to their academic works with little or no time at all for social interaction.

 “That was the major reason for my decision in 1980 which was my final year in the medical school to institute the Wale Okediran annual football competition for medical students of the University.”

“I want to thank the medical students and all those who supported them in making this year’s edition another huge success.

 “I strongly believe that if we parents, guardians, political and community leaders could invest in positively empowering our youths in whatever area we can, most of the problems of cultism, hooliganism among others will be a thing of the past,” he said.

Meanwhile, vice-chancellor of the institution, Professor Eyitope Ogunbodede, described Dr Okediran as a great alumnus of the university who has been consistent in organising the football competition in the last 35 years.

“The competition is a unifying factor for students of the college of health sciences; if we have more of such in our universities, the country will be a better place,” Eyitope said

https://sportingtribune.com/stalwarts-win-wale-okediran-football-tourney/

PAWA Joins 30 Global Publishing Trade Associations, Book Fairs and Freedom to Publish Champions to Sign Charter to Inspire Sustainable Post COVID Future for the Sector

 

PAWA JOINS 30 GLOBAL PUBLISHING TRADE ASSOCIATIONS, BOOK FAIRS AND FREEDOM TO PUBLISH CHAMPIONS TO SIGN CHARTER TO INSPIRE SUSTAINABLE POST COVID FUTURE FOR THE SECTOR

 


By signing the International Sustainable Publishing and Industry Resilience Charter, signatories from across the publishing ecosystem – including publishers, booksellers, authors, educators, bookfairs, international reading and literacy organizations, and free expression groups – have agreed to cooperate on supporting publishing’s post-Covid recovery.

 

 September 20, 2021 - Geneva, Switzerland:

 

Following IPA’s landmark report From Response to Recovery: The Impact of COVID-19 on the Global Publishing Industry, President Bodour Al Qasimi formed the International Sustainable Publishing and Industry Resilience (InSPIRe) Plan Taskforce in early 2021 to lead an industry consultation to identify key pandemic-induced challenges facing publishers and promote cooperation on the way forward.

 

“Publishing is facing an uncertain recovery if our industry doesn’t come together. While developed publishing markets have fared better, our colleagues in emerging publishing markets are facing existential challenges.

 

 The global pandemic doesn’t just affect publishers - the livelihoods of millions of publishers, authors, illustrators, printers, distributors, and booksellers around the world are at risk,” said IPA President Bodour Al Qasimi.

 

The InSPIRe Charter, is one of the first achievements of the Taskforce. Charter signatories have committed to industry-wide cooperation on a forthcoming plan for the post-pandemic future of publishing.

 

By endorsing the Charter, signatories have agreed to ten areas of cooperation targeting the sector’s interactions with policy makers but also building inter-sector dialogue and closing skill gaps.

 

The InSPIRe Plan is unique in its intentional inclusion of a broad spectrum of the publishing ecosystem.

 

“The publishing industry’s post-pandemic future looks likely to be even more dependent on cooperation, unity, and solidarity.

 

The Inspire Charter is a formal framework for coordinated action so the entire publishing ecosystem can learn and move forward together in these unprecedented times.

 

We want all organizations committed to positively shaping global publishing’s post-pandemic future to join us,” said Al Qasimi.

 

To date, the following entities have joined the 86 members of the IPA in endorsing the Inspire Charter:

 

African Publishers Network

 

Arab Publishers Association

 

ASEAN Book Publishers Association

 

Association for the Development of Education in Africa

 

Association of American Literary Agents

 

Bologna Children’s Book Fair

 

Book Aid International

 

Buenos Aires International Book Fair

 

Delhi Book Fair

 

International Board on Books for Young People

 

International Istanbul Book Fair

 

LIBER

 

London Book Fair

 

Nairobi International Book Fair

 

Nigeria International Book Fair

 

Pan African Writers Association

 

PEN International

 

 European and International Booksellers Federation

 

European Educational Publishers Group

 

Etats Généraux du Livre en Langue Française

 

Frankfurt Book Fair

 

Ghana International Book Fair

 

Goteborg Book Fair

 

Grupo Ibero-Americano de Editores

 

Independent Book Publishers Association

 

International Association of STM Publishers

 

Rio Int’l Book Fair

 

Più Libri Più Liberi (Rome Book Fair)

 

Sao Paulo Int’l Book Fair

 

Seoul International Book Fair

 

Sharjah International Book Fair

 

Tbilisi International Book Festival

 

Turin Book Fair

 

UNICEF

 

U.S. Book Show

 

About the International Publisher Association’s International Sustainable Publishing and Industry Resilience (InSPIRe) Plan Initiative

 

IPA is leading a wide-ranging consultation to develop consensus on the global pandemic’s impact on global publishing and what’s next.

 

 The consultation, which will culminate in an industry-wide analysis on the state of global publishing and advance recommendations to enhance resilience and sustainability, is being overseen by a multi-stakeholder taskforce called the Inspire Plan Taskforce.

 

 The taskforce is composed of 11 members of the IPA Executive Committee.

 

In May, the Inspire Plan Taskforce developed the Inspire Charter to be endorsed by publishing stakeholders as a symbolic commitment to continuing the high level of industry-wide cooperation that emerged in response to the global pandemic.

 

 The Inspire Plan consultation has been designed to reinforce this cooperation by including the entire publishing ecosystem to develop a systemic, collaborative approach to building industry sustainability and resilience.

 

The ten commitments are:

 

Asserting the value of publishing to policymakers as an essential industry.

 

Advocating for publishing-specific government stimulus programs to build a more sustainable and resilient global publishing industry that continuously adapts to changing consumer and competitive dynamics

 

Fostering dialogue between publishing ecosystem stakeholders to build resilience, expand partnerships, mitigate risks from global supply chain disruptions, and minimize the environmental impacts of the publishing supply chain

 

Demonstrating the damaging effects of piracy, and advocating for the development, protection, and enforcement of fit-for-purpose copyright frameworks that guarantee fair competition and protect the rights of publishers and content creators

 

Identifying common ground between publishing stakeholders, rights organizations, and governments to fight censorship and promote freedom to publish

 

Closing emerging workforce skills gaps through capacity building, mentorship, and partnerships

 

Exploring partnerships and programs that emphasize the role of publishing in promoting access to knowledge, continuity of education and lifelong learning for all children and young people, with equal opportunities for girls and boys

 

Empowering underrepresented voices to ensure diversity and inclusion in the publishing ecosystem;

Supporting indigenous language publishing through targeted initiatives and partnerships

 

Highlighting the role of small and medium-sized independent publishers and booksellers, which make up the vast majority of the publishing industry globally, in ensuring bibliodiversity and supporting measures needed to future proof their businesses.

 

 

 About the International Publishers Association (IPA)

 

The International Publishers Association (IPA) is the world's largest federation of national, regional and specialist publishers' associations. Our membership comprises 86 organizations from 71 countries in Africa, Asia, Australasia, Europe and the Americas. Through its members, IPA represents thousands of individual publishers around the world who service markets containing more than 5.6 billion people.

 

The IPA’s mission is to promote and protect publishing and to raise awareness of publishing as a force for economic, cultural and social development.

 

www.internationalpublishers.org

Travelogue: Among the Pyramids and Pharaohs of Egypt by Wale Okediran

 

TRAVELOGUE: AMONG THE PYRAMIDS AND PHARAOHS OF EGYPT BY WALE OKEDIRAN

 

 


                                                                                                                    

Within 24 hours of arriving in Egypt on holidays, my wife and I were already at the Giza Plateau area of Cairo admiring the awe –inspiring relics of what is considered, the world’s mightiest ancient civilization.

 

These are the breathtaking works of the Pharaohs such as the massive stone hulks of the Pyramids and Sphinx as well as the giant columns and statues at the Temple of Karnack.

 

 So impressive were the magnificent buildings that you will wonder whether such great works of art could really be the work of mere mortals or whether they were in fact inspired by supernatural or superhuman beings.

 

Despite the midday heat, more tourists, largely from Europe, China and the US continued to pour into Giza.

 

 Although Memphis was the first capital of Ancient Egypt, Giza was five thousand years ago, the royal necropolis, or burial place for the capital city. Giza's three pyramids and the Sphinx were constructed in the fourth dynasty of Egypt's Old Kingdom, arguably the first great civilization on earth.

 

 Most of the pyramids found near Cairo, numbering well over 100 in total, were built during this period when Memphis was the most important city in Egypt and most probably the world.

 

 Egypt has one of the longest histories of any country, tracing its heritage along the Nile Delta back to the 6th–4th millennia BCE.

 

 Considered a cradle of civilization, Egypt saw some of the earliest developments of writing, agriculture, urbanization, organized religion and central government.  Iconic monuments such as the Giza Necropolis and its Great Sphinx, as well the ruins of Memphis, Thebes, Karnak, and the Valley of the Kings, reflect this legacy and remain a significant focus of scientific and popular interest.

 

The Great Pyramids remain a challenge to Egyptologists and the inspiration of a hundred theories.

 

There are three main pyramids at Giza, each with its outcrop of satellite pyramids where the queens of the Pharaohs were interred. Pyramid building began with the 3rd dynasty when the Paraoh Zoser commissioned the architect Imhotep to build him a lasting monument of stone at Saqqara, south of Giza.

 

 More than 80 pyramids were built at Saqqara and other sites along the Nile, but it is the larger and better preserved Pyramids of Giza that have caught and kept public attention.

 

Another colossal figure is The Sphinx. The monument is thought to have been commissioned by Chephren, son of Cheops.

 

 Sculptured from a solid block of stone, it has the body of a lion and the head of a godlike man (possibly, Chepren).

It stands an awesome 20m (66ft) high. Even though the limestone rock is heavily eroded and battered over the years, it still remains a striking figure. Facing the great statue is the Valley Temple, another ageing architectural masterpiece.

 

The second day of our visit was devoted to the Cairo Museum where a lot of artefacts ranging from Statues of Pharaohs and their Queens as well as mummified bodies were kept.

 

The Egyptians believed in an eternal life after death. They also believed that the endurance of the ‘ka’ or spirit was linked to the preservation of the body, hence, their obsession with mummification.

 

The process which usually took about two months began by removing the brain (through the nose) and the intestines, lungs, liver and stomach which were treated and kept in separate containers called Canopic jars.

 

 The heart believed to the seat of the mind and soul were left in place. The body was filled and covered with natron, a dehydrating agent for five weeks before removing the packing and stuffing it with clay, resin, sawdust and perfumes. The final stage was to coat it with resin and fragrant unguents, wrap it in bandages and keep it in its decorated sarcophagus.

 

Ancient Egyptian sculptors worked in materials including marble, limestone, pink and black granite, soapstone and alabaster as well as wood and precious metals.

 

 Their colors came from chalk, red camelian, turquoise, yellow jasper and black diorite and have proved amazingly durable.

 

 Paintings on walls of tombs are highly stylized with the heads of figures but not their eyes or shoulders shown in profile.

 

After Cairo, we flew to Aswan, which is about one hour’s trip from Cairo where we visited the High Dam, an enduring monument to strongman Gama Abdel Nasser and the awesome Philae Temple with its Obelisk which is the largest Obelisk in northern Egypt.

 

It was in Aswan that we commenced the 5 day Nile Cruise on the Ship; The Radamis 2 which sailed to Kom Ombo, Edfu, Esna and finally Luxor.

 

 We disembarked at Luxor to visit the West Bank, the Valley of the Kings, and the Temple of Queen Hatshepsut which was built by the New Kingdom in the 15th century BC.

 

Temple of Luxor, Luxor’s most obvious landmark is the magnificent complex of columns, statues and shinxes.

 

 Many of these structures have Hieroglyphic writings inscribed on them. Hieroglyphic writings with its complex set of symbols in the shape of animals, birds, people and geometric shapes baffled Europeans until 1823 when a Frenchman. Jean Francois Champollion finally cracked the code.

The huge number of inscriptions on temples and tombs gives archaeologists a vast body of material to work with and translation continues to this day.

 

Another flight from Luxor brought us back to Cairo from where we travelled by road to the beautiful sea port of Alexandria.

 

 Our first visit in Alexandria was to the Pompey’s Pillar which was constructed in honour of Emperor Diocletian at the end of the 4th century.

 

From here, we visited the Qaitbay Citadel which was built on the site of the ancient Lighthouse of Alexandria (another one of the seven wonders of the world).

 

 The Lighthouse was said to have been destroyed by earthquake in 1323.  The fortress which is now a Naval Museum was built in the 15th century by Sultan Qaitbay.

 

Also in Alexandria was the Roman Amphitheatre with its tiers of seats and a stage with a mosaic floor.

 

Although discovered in 1960, the place was only opened in 2005 because of the large amount of excavation that needed to be done.