Wednesday, 17 September 2025

My America Book Reading Tour: Echoes of an Angry Diaspora By Wale Okediran

MY AMERICAN BOOK READING TOUR; ECHOES OF AN ANGRY DIASPORA BY WALE OKEDIRAN 

                                                                                    


New York, US. February 13, 2013. A very cold morning. I am sitting amidst the clutter of my books and luggage at the arrival hall of JFK airport at the start of my 10-day, 5 Cities Book Reading Tour of the United States of America, courtesy of Arik Air International. 


My tour was in two phases. The first leg took me to Fort Lauderdale and Tallahassee both in Florida; Atlanta, Georgia; Cincinnati, Ohio; and Pennsylvania in Philadelphia with a stop- over in New York at the Headquarters of the Arik Air International. 


Six months later in September of the same year, I embarked on the second leg of the tour which took me to six major US cities on both sides of the North American Continent.  Dubbed 'The Coast to Coast US Book Reading Tour' the tour which featured engagements with a rich mix of academic and public US communities took me to Atlanta, Georgia, Boston and Cambridge, Massachusetts, Providence, Rhode Island, New York and Los Angeles, California.


My audience was a warm and enthusiastic crowd of academics, business people, civil servants, book lovers, writers, and friends. I also had encounters with scholars and students at some of the schools where I read.  These included; the North Campus of Broward College in Coconut Creek, Florida, University of Pennsylvania, Harvard University, Boston, University of Massachusetts, Amherst and Providence College, Rhode Island.


I had gone to America to read from my then new book, a political thriller; Tenants Of The House which was later adapted into a movie with a 2-year run on NETFLIX global. All I wanted to do was read, interact with my audience and help to market the book. However, I must have either underestimated the power of my narrative or that of my audience which was largely made up of Africans in the diaspora.


 Even though I was warmly received everywhere I went to read and my book received praises for its audacious and incisive dissection of the ‘African problem’, the whole tour was a stimulus for scathing remarks about the ‘homeland’. 


Although New York had already recovered from a devastating and horrendous adverse weather which had left the city comatose for some days and even caused a two -day delay in my tour, it was still very cold at 6am when my Sky Blue flight took off for Fort Lauderdale, Florida that day. It was a large aircraft which was filled to the brim by what I was made to understand, people escaping the cold of New York for the warmth of Florida. It was a smooth and enjoyable 3-hour flight made more interesting by the generous and free in-flight refreshments. 


On arrival in Florida, I was met at the Fort Lauderdale, Hollywood Airport by Joane Meikel, an amiable young lady from the Students’ Affairs Department of Broward College, Coconut Creek where I was scheduled to give my first reading. 


The trip from Fort Lauderdale to Coconut Creek took about 30 minutes and afforded me the opportunity to see more of the beauty of Broward County. The warm and breezy climate was a far departure from the cold New York. And in addition to the beautiful tree lined streets, Florida was exactly as it was described, a haven for tourists. 


Fighting back jet lag, I delved into ‘Tenants Of The House’ (TOTH) to an enthusiastic and mixed audience of students, scholars, friends and writers. Since I had sent advance copies of the book ahead of the readings, it was easy for the audience especially students to follow my presentation.


 The questions and contributions that followed said as much. ‘How long did it take you to write the book?’ ‘What was the reaction of your colleagues in the Nigerian Parliament when the book was released?’ ‘Who is Lizzy in the book?’ ‘Has democracy improved the standard of living for Nigerians?’  In addition, were many other questions on the state of democracy and governance in Africa.


Some of the more elderly members of the audience apparently overwhelmed by the seemingly intractable socio-economic and security issues in the continent, especially Nigeria, wondered if all was well with the continent. A virulent commentator at one point even wondered if we didn’t make a mistake by asking for independence. 


Another disturbing remark came from an elderly Professor who vowed never to go back to his country again. According to him; “The scars of my last encounter with armed robbers in my country are a sad reminder of the place I used to call home’’.


In my quest to see a little of America, I opted to go by road to my next destination, Tallahassee, the capital of the state of Florida. Located at the northern tip of the finger-like shaped state next to the border of Georgia State, Tallahassee is 736 km away from Fort Lauderdale with a driving time of 7 hours 3 minutes by the Greyhound Bus.


As if on cue, many of the questions and interventions raised at Fort Lauderdale also came up in Tallahassee. ‘Why did you write TOTH?’ ‘How much of TOTH is your own personal story?’ ‘Can corruption be tamed in Africa?’ ‘Have things improved in Nigeria since you wrote your books?’ ‘What is the government doing about the ‘Boko Haram’ problem?’


 Without appearing to be a government mouth piece, I did my best to reassure the audience that all hope was not lost and that with more efforts by all and sundry, Nigeria could still become the country of our dreams. Judging from the bemused expressions on the faces of most of my audience, I wasn’t sure if my reassuring words cut any with them. 


My Atlanta reading took place at FAD Restaurant, a Nigerian restaurant located at 3565 Austell Road, SW Marietta where the proprietor, whom I had met on a previous trip to Atlanta, did all he could do to make the event a success.

 

Expectedly, after my reading, questions and contributions dwelled mostly on the political situation in Africa. As usual, African politicians were accused of being the cause of the problem. The animated discussion that followed the reading was even more strident than the one in Tallahassee with the majority of the Atlanta audience declaring Africa a lost cause.


 Although this position was not unexpected, still it was surprising coming from the Atlanta group that was relatively younger than the Tallahassee one whom I thought, should have been more hopeful. Matters were not helped by some shocking experiences of some members of the audience who had visited home previously. 


At the University of Pennsylvania in Philadelphia, my experience was the same. As in the other readings, majority of the audience was very passionate about the socio-political situations in Africa and Nigeria. A particularly truculent middle aged man was vehement in his belief that the country should be split along ethnic and religious lines. 


“The earlier we all agree that Nigeria is not working, the better for all of us,” he thundered. He was joined in this tirade by some other participants and before long, the hitherto quiet and academic setting became a passionate scene reminiscent of a village square meeting; everybody wanted to talk. 


It became very difficult for the MC for the evening’s event to bring proceedings to an end at the 9.00pm time limit given by the university authorities. At one point, the MC’s father a Philadelphia based physician jumped up and said, “I am sorry, as your Dad, I will like to talk and you have to allow me.” As the audience erupted into a hearty laughter, he followed up with a very animated speech about Africa and ‘her problems’. Thankfully, he also proffered some solutions. 


Diaspora rage has been defined as a very complex and deep anger and frustration felt by people who are part of a diaspora—people who live outside of their ancestral homeland. Conflicting expectations, historical trauma, diasporic rage generally responds to these things by refusing to stay silent about injustice, reclaiming identity and culture, critiquing both “host” and ancestral countries’ institutions, etc.


According to an authority on the matter; ‘’Diaspora rage is an emotional and political response to cultural erasure, feeling disconnected from your roots, and the strange, inescapable understanding of being viewed as ‘other’ or not quite native in your current country and foreign, not completely accepted, in your country of origin. It also includes the weight of representing multiple different communities while feeling ultimately voiceless in both spaces. The systematic oppression that tails diasporic population across countries’’

Much as this kind of anger is understandable and sometimes justified, it is believed that many diasporans often overreact. 


 In an article in an edition of African Nation, Baffour Ankomah, a UK based Ghanaian journalist had this to say; ‘’ Being in diaspora – can make you mad! It even builds in you a disturbing level of superciliousness that makes you thump your nose at almost everything you see especially when you go back home.


 Everything suddenly becomes “not-your-level”, even though you may be living in some decrepit flat back in London or Berlin or New York.’’


According to Baffour ‘’What is the point I am trying to make. I was in Israel in 1986 and saw the huge contribution of the Jewish Diaspora to nation building. Israel is Israel today because of the Jewish diaspora. Though they are nationals of their adopted countries, they still contribute financially, politically, intellectually and culturally to the growth of Israel, and lobby foreign governments on behalf of Israel. Besides, they return and enrich Israel with the experiences they have from their adopted countries’’.


Another member of the diaspora from Nigeria whom I met during my reading tour believes that disaporans can do more than just sending remittances to their friends and relatives back home or building mansions in which they never come back to live, or worse still, coming back in a coffin, to lie briefly in it before interment. 


According to him; ‘’We have to take an active interest in the political, intellectual, and cultural lives of our mother countries. By dint of our long stay abroad, we see things that the locals do not see. Let’s bring these experiences to enrich our countries. What gets me angry with some folks in the diaspora is that they luxuriate in the economic feast of some of the world’s developed countries where they have taken citizenship and have the temerity to criticize those who love their home countries stayed, endured and contributed while suffering’’.


On my last day in the US, my friends in New York took me to a Chinese Restaurant for dinner. After a hearty meal of Peking soup, spring rolls, steamed rice, duck and chicken sauce, I cracked open the Chinese fortune cookie that the waitress handed over to me. ‘Expect a future of hard work and happiness’ it read.  It was a befitting epitaph to a successful and eventful book reading tour.


Sunday, 20 July 2025

Dr. Wale Okediran re-elected as PAWA Secretary General

 

DR. WALE OKEDIRAN RE-ELECTED AS PAWA SECRETARY GENERAL


 

By Wole Adedoyin

Dr. Wale Okediran has been re-elected for another three-year term as Secretary General of the Pan African Writers Association (PAWA). His re-election was confirmed at the recently concluded PAWA General Assembly, which brought together prominent literary stakeholders from across the continent.

Dr. Okediran’s re-election comes as no surprise to many who have followed his impactful leadership in steering PAWA through a transformative phase. Since his initial appointment as Acting Secretary General in 2020, following the passing of PAWA’s founding Secretary General, Prof. Atukwei Okai, Dr. Okediran has been instrumental in repositioning the organization as a central voice for African writers and literary practitioners. His first official election in 2022 further solidified his leadership, which has now been renewed through unanimous endorsement.

The election, chaired by Professor Cherno Omar Barry of The Gambia, was lauded for its transparency and inclusiveness. It also saw the emergence of other key figures into PAWA’s leadership structure, including Mr. Ashraf Aboul Yazid (Egypt) for Northern Africa, Prof. Egara Kabaji (Kenya) for Eastern Africa, Prof. Cherno Omar Barry (The Gambia) for Western Africa, Mr. Carlos Paradona (Mozambique) for Southern Africa, Mr. Eric Joel Bekale (Gabon) for Central Africa, and Ms. Reyna Lineres Jones representing the Diaspora.

Reacting to the news of Dr. Okediran’s re-election, the President of the Association of Nigerian Authors (ANA), Dr. Usman Oladipo Akanbi, described the feat as a well-deserved recognition of Okediran’s tireless commitment to the advancement of African literature. Dr. Akanbi noted that Okediran’s visionary leadership has not only strengthened PAWA but also contributed immensely to the broader conversation on African literature and cultural diplomacy.

Dr. Okediran’s tenure at PAWA has been marked by significant achievements, from fostering stronger ties between writers’ organizations across the continent to expanding PAWA’s programs aimed at promoting African literature globally. His administrative acumen, drawn from years of experience in public service, literature, and cultural advocacy, has been pivotal in revitalizing the organization’s operations.

Beyond his administrative roles, Dr. Okediran boasts an impressive literary career. He is the author of fourteen novels, with his most acclaimed work, Tenants of the House, earning the prestigious Wole Soyinka Prize for African Literature in 2011. He is also the founder of the Ebedi International Writers Residency in Iseyin, Oyo State, a platform that continues to nurture emerging literary talents from Africa and beyond.

Dr. Okediran’s professional life extends beyond literature; he is a Fellow of the General Medical Practitioners of Nigeria and Public Health Physicians of Nigeria and has served as a Member of the Federal House of Representatives from 2003 to 2007. His diverse background uniquely positions him to bridge the gap between policy, culture, and literature.

Literary communities across Africa have hailed his re-election as a positive development for the continent’s literary future. Writers, publishers, and cultural advocates see in him a leader capable of uniting Africa’s diverse literary voices under a common agenda of progress, creativity, and cultural pride.

As Dr. Wale Okediran embarks on this renewed mandate, expectations remain high that PAWA under his stewardship will continue to thrive, inspiring new generations of African writers and fortifying the continent’s literary heritage.

 

Tuesday, 22 April 2025

Young Poets Shine as Wale Okediran @ 70 Poetry Competition Winners Emerge

 

WALE OKEDIRAN @ 70 POETRY COMPETITION WINNERS ANNOUNCED


 

The organizers of the Wale Okediran @ 70 Poetry Competition are pleased to officially announce the winners of the literary contest. The competition, which drew participation from young and talented Nigerian poets across the country, was established to honour the enduring literary contributions of Dr. Wale Okediran—renowned author, former National President of the Association of Nigerian Authors (ANA), and current Secretary General of the Pan African Writers Association (PAWA).

Specifically designed for Nigerian writers under the age of 25, the Wale Okediran @ 70 Poetry Competition aims to discover and amplify new literary voices while celebrating the legacy of one of Nigeria’s foremost literary trailblazers. This year’s entries demonstrated not only the creative vitality of Nigerian youth but also their commitment to using literature as a means of expression, reflection, and advocacy.

The judging panel, chaired by Professor Mabel Evwierhoma of the Department of Dramatic Arts, University of Abuja, carefully reviewed the entries and shortlisted five outstanding works. She was supported by an esteemed panel which included Khalid Imam, an acclaimed poet and arts curator, and Akudo Nkemjika Okeke, a poet, screenwriter, and scriptwriter. The judges praised the submissions for their originality, emotional resonance, and thoughtful engagement with a wide range of themes.

After thorough deliberation, the winners were announced as follows: First Prize“A Sojourner” by Abdulrazaq Godwin Omeiza; Second Prize“Sambisa Girl” by Nwegbo Miracle; and Third Prize“Wale Okediran, A Man of Healing Ink” by Abdulmumeen Humulkhair Olamipo. Two poets received Honourable Mentions: “A Bloom, A Breath and A Song” by Deborah Usak and “For Wale Okediran at 70” by Adegoke Oluwabukunmi.

Abdulrazaq Godwin Omeiza, winner of the First Prize, is a Senior Secondary School 2 student at Government College Ibadan. A budding poet, Abdulrazaq draws inspiration from his environment, teachers, and literary legends such as Niyi Osundare, Tade Ipadeola, Wole Soyinka, Chimamanda Adichie, and Dr. Wale Okediran himself. His poem “A Sojourner” reflects an insightful and mature poetic voice that impressed the judges.

Second Prize winner, Miracle Nwegbo, is a medical student at Chukwuemeka Odumegwu Ojukwu University. In addition to being a poet, Miracle is also an essayist and photographer. He sees poetry as a powerful, melodic tool capable of social transformation. His prize-winning piece, “Sambisa Girl”, captures deep emotional themes through vivid imagery and heartfelt expression.

Abdulmumeen Humulkhair Olamipo, who won the Third Prize, hails from Ilorin, Kwara State, and is a penultimate student at the University of Ilorin. Her poem “Wale Okediran, A Man of Healing Ink” pays tribute to the celebrant with lyrical elegance and thematic depth. Known for weaving emotion into every stanza, Humulkhair continues to hone her poetic skills with great dedication.

To collect their prize certificates and monetary awards, the winners are kindly requested to contact the competition coordinator, Wole Adedoyin, via email at woleadedoyin@gmail.com. The organizers extend their gratitude to all participants and encourage them to continue nurturing their literary talents.

The Wale Okediran @ 70 Poetry Competition not only celebrates the legacy of a literary icon but also serves as a beacon of hope for the future of Nigerian literature. Through initiatives like this, the voices of the next generation of writers are being empowered, amplified, and given the recognition they deserve.

 

Monday, 7 April 2025

Wale Okediran @ 70 Poetry Competition Longlist Unveiled

 WALE OKEDIRAN @ 70 POETRY COMPETITION LONGLIST UNVEILED



In celebration of the forthcoming 70th birthday of renowned Nigerian writer and literary administrator, Dr. Wale Okediran, the organizers of the Wale Okediran @ 70 Poetry Competition have officially released the longlist of selected entries. 


The announcement follows a rigorous assessment and consensus by a panel of seasoned judges tasked with selecting standout works from a pool of impressive submissions by young and emerging poets across the country.


The judging panel, chaired by Professor Mabel Evwierhoma of the Department of Dramatic Arts, University of Abuja, included distinguished literary voices such as Khalid Imam, a published poet and arts curator, and Akudo Nkemjika Okeke, a poet, scriptwriter, and screenwriter. 


The panel expressed admiration for the creativity and thematic depth displayed by the young poets, many of whom explored themes of healing, resilience, nationhood, and personal identity.


The Wale Okediran @ 70 Poetry Competition was instituted to honour the literary legacy of Dr. Wale Okediran, a former National President of the Association of Nigerian Authors (ANA) and the current Secretary General of the Pan African Writers Association (PAWA). 


Aimed specifically at young and emerging Nigerian writers under the age of 25, the competition has served as a platform to spotlight fresh talent while celebrating a literary icon.


According to the organizers, the selection of the longlist was based not only on the literary merit of the works but also on their originality and clarity of voice. 


The judges noted the difficulty of their task given the impressive quality of entries received.


The longlisted entries, in no particular order, are as follows:


1. Sojourner – Abdulrazaq Godwin Omeiza


2. Wale Okediran, A Man of Healing Ink – Abdulmumeen Humul


3. A Bloom, A Breath and a Song – Deborah Usak


4. Digging Deep for Happiness amid Fossils and Bones – Muheez Olawale


5. Sambisa Girl – Nwegbo Miracle


6. Fate Think Me A Victim – Grace Oni


7. Echoes Beyond Time – Fasuyi Favour Iyanuoluwa


8. Wale Okediran @ 70 – Adegoke Oluwabukunmi


9. Bird in My Mouth, Grief in My Palms – Felix Eshie


10. A Passionate Jeremiad for My Homeland – Olobo Ejile


The organizers have congratulated the longlisted poets and expressed heartfelt appreciation to all participants for their remarkable passion and creativity. 


They further announced that the shortlist for the competition will be officially unveiled on April 19, 2025.

Tuesday, 18 February 2025

A Tribute To Mrs Mabel Segun @95 By Dr Wale Okediran

 A Tribute To Mrs Mabel Segun @95

                             By

                  Dr Wale Okediran



I consider it a great honor and privilege to write this Tribute for Mama Segun on her 95th birthday.  


I recall that in her younger days, Mrs Segun was averse to being referred to as ‘Mama Segun’. However, at 95, I consider it very appropriate to call her by this well- deserved and distinguished name.


I have known Mrs Segun for more than 40 years. Just like many writers of my generation, my first contact with mama was through her famous book; ’My Father’s Daughter’ which I read as a school text in my secondary school days.


 Our relationship continued over the years principally through many literary platforms especially that of the Association of Nigerian Authors (ANA).


 We also collaborated on some literary projects particularly, the Encyclopedia of Post – Colonial Literatures in English Published by Routledge, 11 New fetter Lane, London where I contributed two entries on “African Authors” and “Literary Associations”


Another very significant project was the Workshop on Children’s Literature which took place many years ago in Kaduna under the auspices of the Association of Nigerian Authors. 


I recollect vividly that during the Workshop which was sponsored by the late General Shehu Yar Dua, I also registered as a participant. It was therefore Mrs Segun’s tutelage at that Workshop that gave me the proficiency to become a Children’s Literature writer.


In addition to our literary association, Mrs Segun was also very close to my family and is remembered till today with reverence and admiration by my children who were very fond of her when they were very young.


Although Mabel Segun has written for both adults and children, it is as a writer of children’s books that she is well noted. Till date, she has written, co-authored and edited around eleven children's books.


 These include the autobiographies for younger readers My Father's Daughter published in 1965 and My Mother's Daughter published in 1986, as well as Olu and the Broken Statue (1985), The First Corn (1989) and The Twins and the Tree Spirits (1991/2004). Mama has also published poetry for children, including one she edited with Neville Grant - Under the Mango Tree (1980) - that features poems for all over Africa and the diaspora.


A champion for children's literature in Nigeria, Mrs Segun founded the Children's Literature Association of Nigeria in 1978 and set up the Children's Documentation and Research Centre in 1990 in Ibadan.


 In justifying a special attention to children’s literature, Mrs Segun had this to say;

... writing for children is much more difficult than writing for adults. Children at different ages have different interests, different psychological make-ups and different cognitive experiences. You must use simple language and you must never talk down to children.......


In her meritorious contribution to literature, Mrs Segun has been among other things; a Fellow at the International Youth Library in Munich, a member of the children's books review panel for African Book Publishing Record published in Oxford, an assessor for the Noma Award for Publishing in Africa and a collaborator with the International Board on Books for Young People in Basel.


 In 2007, Segun's play for children - Readers' Theatre: Twelve Plays for Young People was joint winner of the NLNG Nigeria Prize for Children's Literature. The twelve plays included popular folktales, as well as ones on Nigerian heroes.


I cannot conclude this brief Tribute without thanking Omowunmi, for her sterling role in the upkeep and care of her mother. I also extend the same thanksgiving to Mrs Segun’s other children including her grand- children.


As she celebrates her 95th birthday, I join her large group of mentees, friends, family and relatives to wish mama many happy returns of the day in good health and happiness.